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November 7, 2019
Designed for high-density tactical live HD video transcoding, the Kraken video transcoder just got even better thanks to the latest release. In this post, we’re going ‘under the hood’ to explain the new features and benefits of Kraken 3.0
Lina Nikols
October 31, 2019
Streaming your contribution feeds doesn’t have to be scary. Read on to learn how modern streaming technology has evolved to address some of the most common fears in live broadcast contribution.
Catherine Polson
October 16, 2019
Read our latest blog post to learn how the Makito MX1 Rugged is combines low latency, high quality streaming, and bandwidth optimization into an extremely small form factor video encoder, ideal for ISR deployments.
Catherine Polson
October 8, 2019
At IBC2019, SRT trailblazers and champions Bridge Technologies, Globo, and Red Bee Media share why they’re so excited about SRT and how they’re reaping the benefits it has to offer during the SRT Open Source Technical Panel.
Lina Nikols
October 1, 2019
SRT 1.4 is here! We asked Marc Cymontkowski, Haivision’s Vice President of Engineering, to share a little more about what this latest version of the protocol has to offer and what’s next on the roadmap.
Lina Nikols
September 18, 2019
As broadcast engineers increasingly turn to the internet for live production of HD and now 4K content, we’ve put together our top five considerations for establishing a workflow for both HD and 4K video contribution over the internet.
Mark Horchler
September 3, 2019
Mark your calendars for the IBC SRT Open Source Technical Panel on Sunday September 15. Attend for your chance to learn from SRT experts about the latest updates, real-world implementations, as well as what’s on the roadmap for the protocol.
Lina Nikols
August 29, 2019
Heading to IBC in September? Read on to find out more about this exciting panel discussion that you won’t want to miss: Broadcast Production in the Cloud with SRT Hub and Microsoft Azure.
Catherine Polson
August 22, 2019
Live video is becoming more realistic than ever. And in an effort to make their viewers feel like they are a part of the action, broadcasters are turning to 10-bit pixels and 4:2:2 chroma subsampling for vivid colors and lifelike images.
Mark Horchler

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